专业电影角色设计教程 - Professional Character Design for Film - Gnomon

专业电影角色设计教程（中英文字幕） - Professional Character Design for Film - The Gnomon Workshop

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专业电影角色设计教程 - Professional Character Design for Film - The Gnomon Workshop
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为电影和电视设计角色和生物可能涉及许多过程。连续两年被概念艺术协会提名为 "最佳生物设计师 "的Ehsan Bigloo，介绍了他在为娱乐业设计令人敬畏的生物时尝试和测试的工作流程。这个工作坊详细介绍了Dîv的制作过程，Dîv是一个具有超自然力量和能力的恶魔角色，具有大致的人类外形，但却具有黑暗的超自然力量。
Designing characters and creatures for film and TV can involve many processes. Ehsan Bigloo, nominated as 'Best Creature Designer' for two consecutive years by the Concept Art Association, presents his tried-and-tested workflow when designing awe-inspiring creatures for the entertainment industry. Developing his own IP, this workshop details the making of Dîv, a demon character with supernatural strength and power that takes on a roughly human shape yet channels dark, supernatural powers.

从Ehsan喜欢开始任何新概念的地方开始，第一章详细介绍了他如何使用铅笔在纸上找到新生物的最初缩略图、形状和形式。Ehsan研讨会的第一部分分享了他对自己策略的深思熟虑，以及他如何处理行业中的客户反馈，将有助于改变你考虑从头开始进行下一个设计的方式。
Beginning right where Ehsan likes to start any new concept, the first chapters detail how he approaches finding the initial thumbnails, shapes, and forms of a new creature using pencils on paper. Sharing thoughtful insights into his strategies as well as how he handles client feedback in the industry, the first segment of Ehsan’s workshop will help change the way you consider concepting your next design from scratch.

在使用传统媒体在纸上写下最初的想法后，Ehsan将他选择的概念设计带入数字世界，使用Zbrush将最初的草图/概念转化为3D形式，并使用KeyShot进行最终渲染。同时，他还提供了他在娱乐行业作为概念艺术家的多年工作经验中的行业技巧、诀窍和见解。
After laying down his initial ideas using traditional media on paper, Ehsan takes his chosen concept design into the digital world, taking the initial sketch/concept into a 3D form using ZBrush to block out the model as he works through to the final render using KeyShot. All the while offering his industry tips, tricks, and insights, from his many years of experience working in the entertainment industry as a Concept Artist.

作为一个额外的章节，Ehsan将他的最终作品带入虚幻引擎，从设计师的角度展示了当你将一个角色导入虚幻并设置了一些气氛光照时，你可以获得的创造性可能性。
As a bonus chapter, Ehsan takes his final creature into the Unreal Engine to demonstrate, from a designer's perspective, the creative possibilities available to you when you import a character into Unreal and set up some atmospheric lighting.

这个讲习班是为有抱负的和专业的角色/生物设计师、概念艺术家、数字雕塑家、IP开发者以及任何对基于视觉的角色故事感兴趣的人设计的。
This workshop is designed for aspiring and professional Character/Creature Designers, Concept Artists, Digital Sculptors, IP developers, as well as anyone interested in visual character-based storytelling.

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