达芬奇大师班教程：编辑应用程序之间移动时间线视频教程

达芬奇大师班教程：编辑应用程序之间移动时间线视频教程 – DaVinci Resolve Guru: Moving Timelines Between Editing Apps - Lynda

DaVinci Resolve 12.5将迄今最先进的调色工具和专业多轨道剪辑功能合而为一，如今您只需要一个系统便能完成剪辑、调色、后期及交付等工作了！Davinci Resolve有着可扩展的特性，并具备分辨率无关性，因此无论在现场、狭小工作室，还是大型好莱坞制作流程都能适用！只有DaVinci Resolve才具备如此繁多的创意工具、强大兼容性、超快速度、以及一流的画质，令您合理掌控整体流程。它当之无愧地成为了好莱坞电影的首选解决方案。

在这一部分的DaVinci Resolve Guru中，着色师Patrick Inhofer指导您完成将时间轴从Premiere Pro，Final Cut Pro X和Avid Media Composer移动到DaVinci Resolve的过程。这个过程通常被调色师和编辑称为“往返”。您将了解如何准备导出到DaVinci Resolve的时间线，并了解哪些功能将导入Resolve后仍然有效，哪些功能将会阻止往返过程。
In this installment of DaVinci Resolve Guru, colorist Patrick Inhofer guides you through the process of moving your timelines into DaVinci Resolve from Premiere Pro, Final Cut Pro X, and Avid Media Composer. This process is often called "round tripping" by colorists and editors. You'll find out how to prepare timelines for export into DaVinci Resolve, and learn what features will survive import into Resolve and what features will kill the round-tripping process.

你还将探索符合的概念。 Conform正在验证Resolve中的时间线是否与从非线性编辑器导出的时间线精确匹配。此外，了解将颜色校正时间线发送回非线性编辑器以获得最终图形和导出的选项。
You'll also explore the concept of conforming. Conforming is verifying your timeline in Resolve precisely matches the timeline exported from your non-linear editor. Plus, learn the options for sending your color corrected timeline back to your nonlinear editor for final graphics and export.

主题包括：
Topics include:

为什么要把时间表移到Resolve？
了解往返过程
了解XML
往返工作流程之间的差异
如何验证您的时间轴正确导入
渲染单个剪辑与渲染单个剪辑
Why move your timelines into Resolve?
Understanding the round-tripping process
Understanding XML
The differences between round-trip workflows
How to verify your timeline is imported correctly
Rendering out individual clips vs. rendering out single clips

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