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After Effects的线性工作流程
Digital Tutors - Linear Workflow in After Effects
In this After Effects tutorial, we’ll learn how to incorporate a linear workflow into our projects to get better results.
在这之后的效果教程,我们将学习如何将线性工作流到我们的项目,以获得更好的结果。
We’ll start off going over how light behaves linearly and how our vision system perceives light non-linearly. Then we’ll learn what video gamma space is and why we use it to store standard digital images
我们将开始过如何光的行为是线性的,我们的视觉系统如何感知光的非线性。然后,我们将学习视频伽玛空间是什么,为什么我们使用它来存储标准的数字图像
After that, we’ll go over some of the problems that happen when you composite in video gamma space. We’ll see all the advantages of 32-bit float using a Cineon file, learn more about the advantages of working in linear gamma instead of video gamma and then set up a project in linear color space to see what After Effects is doing behind the scenes.
在那之后,我们会在视频伽玛空间复合材料时会出现一些问题。我们会看到所有的32位浮点使用Cineon文件的优势,了解更多的优势而不是视频伽玛线性伽马工作并建立线性色彩空间的一个项目,看看以后的效果是做幕后。
Finally, we’ll put theory into practice as we composite a forest fire in linear color space and compare it to the same shot comped in video gamma.
最后,我们要把理论付诸实践我们复合线性色彩空间的森林火灾和比较它的相同的镜头为视频伽玛。
By the end of this After Effects training, you’ll have a solid understanding of how to work in a linear color space and why a linear workflow can benefit your own projects.
通过在效果训练结束后,你将有一个坚实的理解如何工作的线性颜色空间,为什么线性工作流程可以受益你自己的项目。
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