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艺术家视觉效果设计教程 - Artist at Work Creating a Visual Hierarchy - Lynda
教程大小:337.33MB
播放时长:34分钟54秒
人眼的顺序相反感知在一个场景中的对象。色调,颜色和玻璃用于建立这种“视觉层次”你的艺术。加入屡获殊荣的插画和设计教授玛丽珍罗德岛学校回来开始在她的工作室,她将讨论的技巧来实现视觉层次。她开始通过在组成建立价值,或明亮和黑暗区域,然后说明如何使用不同的不透明度和有限的调色板,以进一步确定形式的绘画。最后,了解如何玻璃窗可以让你的色彩流行,甚至更多,向着温暖或冷色调转移调色板。玛丽珍而用刷子,海绵,水彩,丙烯酸涂料,以达到她的成绩比较传统媒体向数字工作流程。这些经验教训可以使用如Adobe Photoshop和Illustrator程序很容易地移植到数字艺术作品和设计。
The human eye perceives objects in a scene in order of contrast. Tone, color, and glazing are used to establish this "visual hierarchy" in your art. Join award-winning illustrator and Rhode Island School of Design professor Mary Jane Begin back in her studio as she discusses tricks to achieve visual hierarchy. She starts by establishing value, or light and dark areas in the composition, and then shows how to use varying opacity and a limited color palette to further define the forms in a painting. Finally, learn how glazing can make your colors pop even more and shift the palette toward a warm or cool tone. Mary Jane compares traditional media to a digital workflow while using brushes, sponges, watercolors, and acrylic paint to achieve her results. These lessons can be easily migrated to digital artwork and designs using programs like Adobe Photoshop and Illustrator.
Mary Jane uses the following materials in this course:
Arches 140 lb hot press paper
Tube watercolors- Winsor & Newton Cotman brand
Paper stumps for blending
Pastels- a variety of stick and pencil forms (including Conte pastel pencils)
Short, fat, fine-bristle Winsor & Newton #2 and #4 brushes (for scrubbing color off)
Sceptre Gold II sable/synthetic blend #3, #6, and #10 brushes
Winsor & Newton Cotman brand 25 mm/1 in. flat brush (for washes)
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