Blender制作战鸽流程教程 Creating Piero - Complete Production Course

CG Cookie - Blender制作战鸽流程教程 Creating Piero - Complete Production Course

皮耶罗是一位退休的载波循环赛谁在生活中所取得的伟大成就，是提供信息，从羽毛的盟国在大鸽子战争'98。从那时起，他退休了一个古朴的灰树在约克郡的山丘。虽然很少发生在皮耶罗的无忧无虑的日子，在英国的乡村，从他的服务在战争的创伤已经离开他水性杨花普通的东西。
Piero is a retired carrier robin who’s great achievement in life was delivering messages to and from the feathered allies during the Great Pigeon War of ’98. He’s since retired to a quaint Ash tree in the hills of Yorkshire. Though very little happens during Piero’s care-free days in the British countryside, trauma from his service in the war has left him skittish of anything out of the ordinary.

从视觉动画
我想很多像我一样，数字艺术家，动画电影的皮克斯，梦工厂，迪斯尼或蓝色的天空和他们开始的InVision自己的世界，人物和故事。计算机图形学使其能够为艺术家带来有形介质的使用寿命内的任何一台电脑访问这些愿景。
From Vision to Animation
I think many digital artists, like myself, see animated films from Pixar, Dreamworks, Disney or Blue Sky and they begin to invision their own worlds, characters, and stories. Computer Graphics make it possible for artists to bring these visions to life inside a tangible medium that’s accessible to anyone with a computer.

然而，一台计算机的辅助和能力并不意味着创造过程是一个一键式操作。从视觉动画的现实需要以一个字符许多致力于小时的每一学科的计算机图形学。
However, the accessibility and capability of a computer doesn’t mean the creation-process is a one-click operation. Taking a character from vision to animated reality requires many devoted hours in each discipline of computer graphics.



蒂姆说明如何皮耶罗的概念艺术在这里！
See how Tim illustrated the Piero’s concept art here!

模型制作
第一步是其中的字符是建立在与三维几何建模。没有对象存在于计算机本质上，它必须由手工打造。每一个随后的步骤是依赖于建模对象。
Modeling
The first step is modeling where the character is built with 3D geometry. No object exists in the computer intrinsically; it must be built by hand. Every subsequent step is dependent on modeled objects.



Blender的所有功能于一身的性质，允许艺术家用其雕刻和建模工具结合。皮耶罗将是形式雕刻的第一，然后retopologized成动画网状。
Blender’s all-in-one nature allows the artist to use its sculpting and modeling tools in conjunction. Piero will be form-sculpted first, then retopologized into an animation-friendly mesh.

纹理制作
后正在建造一个模型必须被“涂”。这纹理，或“曲面”，过程是我们引入适当的颜色和材料的素质，使我们的模型更可信和有形。
Texturing
After being built a model must be “painted”. This texturing, or “surfacing”, process is where we introduce proper colors and material qualities that make our model more believable and tangible.



作为一个鸟皮耶罗的是一个独特的纹理任务，因为他需要被羽毛覆盖。我们将利用Blender的油漆工具和Photoshop绘制纹理贴图。一个粒子头发系统将允许我们在程序上成长和培育的羽毛。
Being a bird Piero is a unique texturing task because he needs to be covered in feathers. We’ll take advantage of Blender’s paint tools and Photoshop to paint our texture maps. A particle hair system will allow us to procedurally grow and groom our feathers.

绑定制作
虽然建模和动画，也许是最令人垂涎​​的CG技能，索具的窄桥少走过连接它们。就像我们的人体骨骼和关节，使运动成为可能需要一个复杂的系统，我们的数字模型，需要一个复杂的系统，骨骼和关节，使动画制作成为可能。这是一个技术性很强的极化过程比艺术的本能需要更多的研究和实践。
Rigging
While modeling and animation are perhaps the most coveted CG skill sets, rigging is the narrow bridge-less-traveled that connects them. Just like our human body needs a complex system of bones and joints to make movement possible, our digital model needs a complex system of bones and joints to make animation possible. This is a highly technical and polarizing process requires much more research and practice than artistic instinct.



皮耶罗将被装配在Blender翅膀和尾羽的完全控制权作为一种通用的电枢。
Piero will be rigged in Blender as an general-purpose armature with full control over wing and tail feathers.

动画制作
运动的艺术可以说是最困难的技能设置在计算机图形学。但是不要告诉一个漫画家 - 他们认为自己已经足够高！
Animation
The art of movement is arguably the most difficult skill set in computer graphics. But don’t tell an animator that – they think highly enough of themselves already!


  
言归正传，好的动画需要一个沉重的实践和人才的组合。我们将与皮耶罗适用的原则，“九老无所依”在运动中实现自己的个性。
Jokes aside, good animation requires a hefty combination of practice and talent. With Piero we’ll apply the principles of “The Nine Old Men” to realize his personality in motion.

后处理
随着动画成品，我们的“成分”终于准备进入烤炉！开始后处理成单个帧，使我们的整个动画渲染我们的场景。小时渲染完成后，我们可以一起编辑了最后一枪，在Blender的排字。
Post Processing
With the animation finished, our “ingredients” are finally ready to go into the oven! Post Processing begins by rendering our scene into individual frames that make up our entire animation. Once the hours of rendering are finished, we can edit the final shot together in Blender’s compositor.

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